Though bloodthirsty slashing might be what links together Mack the Knife and sharks, the same cannot be said for Boston Lyric Opera’s toothless production of “The Threepenny Opera,” which opened its limited engagement at the Huntington Theatre on March 16.
Read MoreAs Haley, Haneefah Wood reminds us of the moments when we remember why we became friends with those closest to us.
Read MoreDirected by Colman Domingo, “A Guide for the Homesick” adds little potency or charm to a well-worn setup, resulting in a rather disjointed affair.
Read MoreThematically, Ayad Akhtar’s “The Who & The What” is a timely and charged work, though, sadly, one that doesn’t make for very thrilling theatre.
Read MoreOur attention is drawn to the nature of artifice and performance in Suzan-Lori Park’s “Topdog/Underdog”, directed by Billy Porter.
Read MoreWithout ever batting a glued-on eye, a demonic puppet forces everyone around him to confront their inner demons in this SpeakEasy Stage production that stars a recent Northeastern graduate and two former teachers.
Read MoreIn Henrik Ibsen’s landmark play, “A Doll’s House,” mounted by the Huntington Theatre Company in a sensational production that opened Wednesday night, the tension and turmoil do not feel as if they originated in 1879 Norway.
Read MoreA new work of experimental theatre that seeks to ignite the conversation on sexuality has been born and bred at Northeastern University this summer.
Read MoreIn “I Was Most Alive With You,” a new play by Craig Lucas, the challenges faced by a deaf, gay recovering alcoholic become a universally recognizable struggle for endurance.
Read MoreThe theatre department at Northeastern University (NU) is breaking the barriers between cast and audience in its new production of the acclaimed musical “The 25th Annual Putnam County Spelling Bee,” directed by Scott Edmiston.
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