An interview with “Booksmart” director Olivia Wilde, writer Katie Silberman and stars Beanie Feldstein and Kaitlyn Dever .
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Choreographer and educator Ilyse Robbins discusses her work in SpeakEasy stage’s “Once”
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Beautifully mounted by SpeakEasy Stage Company, this “Fun Home” takes its own crack at the Bechdel family doors.
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Both the theatrical farce and literature’s favorite detective are in peril in “Sherlock’s Last Case,” which opened at the Huntington Avenue Theatre Wednesday night.
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For the disconnected or uninitiated, the play will serve as a clean entryway into post-Ferguson meditations on America’s inability to properly confront its intolerance. For just about anyone else, it will prove a softened, if well-intentioned, depiction of a conversation best held outside of office hours.
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Let’s learn to respect brevity as a valid artistic virtue and let good things go once they conclude. If not, well I’ll still be interested in who gets cast in “2 Big 2 Little: Lies Reloaded.”
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Thematically, Ayad Akhtar’s “The Who & The What” is a timely and charged work, though, sadly, one that doesn’t make for very thrilling theatre.
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Movie magic should not be as imperiled as it currently is, and with no excuse.
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Our attention is drawn to the nature of artifice and performance in Suzan-Lori Park’s “Topdog/Underdog”, directed by Billy Porter.
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“Moonlight,” with its sensuous humidity, chopped-and-screwed score and melancholy pace, has haunted and halted me from figuring out just what it is that makes it a movie for the ages. Perhaps that’s the point.
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It’s sink or swim time and people have already started to swim away. Grammys, try to stay afloat.
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A simple look at “Girls” proves it is as nimble and essential a work of art as we have ever needed, yet the series’ success is often undermined by a hyper-politicized world where you either stand with or against its creator.
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