You don’t walk into a play titled Lilies, or the Revival of a Romantic Drama expecting realism, and yet, in this staging, one longs for the flowery melodrama the name promises.
Read MoreWith the rapid-fire announcement of (almost) every Broadway show’s return this week came the question: Who will actually be starring in these?
Read MoreFoster’s got the technique and charm, but her clean-cut style already points to this growing trend that makes me nervous for the state of musical comedy.
Read MoreThe West Side Story teaser… It’s giving community theatre. It’s giving ‘80s sappiness.
Read MoreIt came as a delightful shock (or with loving horror), to receive a text yesterday asking whether I knew that the Rich Man’s Frug was quickly becoming the latest TikTok dance trend.
Read MoreA conversation with self-described “theatre YouTube nerd” Billy Magnussen about his stage roots and his new role on HBO Max’s Made for Love.
Read MoreErika Dickerson-Despenza’s' first installment of an epic 10-play ‘Katrina cycle’ for the Public signals the beginning of what promises to be a staggering achievement in theatre which concerns itself with race, ecology, queer feminism, and human displacement.
Read MoreNo thoughts this week, just Gwen Verdon.
Read MoreWhile this column is usually a site of diva worship, “John Cullum: An Accidental Star” got me thinking about Broadway’s leading men and the curiously small place they occupy in our cultural awareness.
Read MoreAnd so, Williamstown Theatre Festival’s inaugural foray into the world of Audible theatre comes to a close. Row, a new musical based on Tori Murden McClure’s 1998 efforts to become the first woman to row solo across the Atlantic, is a fine ending to an excellent season.
Read MoreDown at the Daryl Roth Theatre, Blindness is a dark-room delight that, unlike other Downtown goings-on, remains socially distant.
Read MoreA fatal car crash in Tehran and its ensuing drama is taken up by Javaad Alipoor in Rich Kids: A History of Shopping Malls in Tehran, live-streamed by Woolly Mammoth Theatre Company.
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