Finally, a stage-to-screen adaptation that asks, “What if we replaced the main character in a teen suicide drama with Howard the Duck?”
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The Gwen’s Honest Truth about the mezzanine fight at Chicago’s reopening.
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Ngozi Anyanwu’s play is a mostly brilliant, knowing rendering of the humiliating mental gymnastics performed during a breakup
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A queer son plays his own mother in this one-man, one-hour tropical breeze that picks up into a storm of child-rearing trauma.
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Pass Over, with its flaws, beauties, and contradictions, is much the same, but heralds an electric new moment in highly-visible American theatre.
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It’s a shame Hudson had to be wasted in a joyless, pointless, and entirely soulless recounting of the Queen of Soul’s early life and career.
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Enough motherly patronizing, because Everybody’s Talking About Jamie is ultimately a pleasure to experience and features strong supporting turns from its cast.
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The singer was spectacularly candid with her presence, and generous with her talent.
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It’s updates like these that left me feeling like this work might have been better left alone, without all the fuss about updating the show’s politics and instant relatability.
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It’s Stanley versus Warren, and this predicament places me at an annoying gay crossroads.
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I spoke with Soo about The Stand-In, an Audible Original she narrates and performs.
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