Zola is the most Florida movie I have ever seen (this is a good thing).
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My picks for best moving image works of 2020: I May Destroy You and Circle Jerk
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Brief review of Smooth Talk, from the 2020 New York Film Festival’s Revivals section.
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DigBoston Staff Pick for iconic stoner movies. My go-to? Radley Metzger’s Score.
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Bill & Ted Face the Music is a completely unnecessary but winsome enough entry in the Southern California dude saga that’s as comforting as our bad teenage habits.
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An opinion piece about the beauty of 2020’s virtual Wicked Queer festival, followed by reviews of Ask Any Buddy and Dry Wind.
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The Lonely Island’s giddy, inspired sense for pushing a particular theme to its most illogical conclusion while still keeping ample room for #random punchlines carries through Palm Springs, the breeziest 90 minutes I’ve spent all year.
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An interview with David Sedaris
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Spamilton takes aim at the late-2010s phenomenon and its singular creator, though its success as a barbed look at contemporary theater is muddled, to say the least.
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I spoke to Jiehae Park about the play Endlings and the challenges of being an immigrant artist sharing a personal story.
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With Lyric Stage Company getting ready to mount their production of the 1939 three-acter, DigBoston caught up with the women of The Little Foxes, as well as director Scott Edmiston, who believes Hellman is overdue for admission into the pantheon of Great American Playwrights.
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I caught up with Ebersole in anticipation of her arrival in Boston for a conversation with Seth Rudetsky. Sadly, her sparkling personality and mischievous laugh do not translate as well onto the page.
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