Finally, a stage-to-screen adaptation that asks, “What if we replaced the main character in a teen suicide drama with Howard the Duck?”
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The kind that isn’t actually a “story.” It’s a process.
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them.: “This Was Me” is a touching tribute to queer history, and the movie's beating heart.
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It’s a shame Hudson had to be wasted in a joyless, pointless, and entirely soulless recounting of the Queen of Soul’s early life and career.
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Enough motherly patronizing, because Everybody’s Talking About Jamie is ultimately a pleasure to experience and features strong supporting turns from its cast.
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I spoke with Hickey about Sublet, his career, and ‘straights playing gay’ discourse.
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Zola is the most Florida movie I have ever seen (this is a good thing).
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I delved deep into stan territory with the Halston actor about what makes Minnelli a popular culture legend.
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I spoke with Andy Señor Jr., an early ‘Angel’ replacement in Rent, about bringing the musical to his Cuban homeland.
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I caught up with the Broadway legend to talk about her career, and why she thinks the film is a landmark for movie musicals and Latinx representation.
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Like a mistake that nine months later turns into a beloved, if troublesome, child, CRUELLA is a welcome addition to the landscape.
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Leave everything at home and tell that friend with the speakers to come through, because Jon M. Chu’s In the Heights is the glimmering rainbow under an open fire hydrant, and with just as much force.
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