Juan A. Ramirez is sufficiently spooked by Lucas Hnath’s new play that looks at one woman’s connection to the space between life and death.
Read More
Juan Ramirez finds Stephen Adly Guirgis’s newest play “intensely watchable” and “refreshingly nonjudgmental.”
Read More
Haircuts and community abound in this exhilarating production from London’s National Theatre that has stayed with Juan A. Ramirez since he first saw it a year ago.
Read More
A real life attack of sexual violence is refracted through multiple perspectives and the distance of memory in this adaptation of an Édouard Louis novel from the Schaubühne Berlin. Juan A. Ramirez reviews.
Read More
Ntozake Shange’s choreopoem offers serious beauty against an awful world in a joyous production at The Public. Juan Ramirez reviews.
Read More
A “truly exhausting book club meeting” tries to solve the Millennial question in Jack Thorne’s latest. Juan A. Ramirez reviews.
Read More
Original and unexpected, but an uneven tone weakens this new play by Alexis Scheer. Juan A. Ramirez reviews.
Read More
Keith Hamilton Cobb’s impassioned argument for having a voice in his own representation is compelling, but also holds too much back. Juan A. Ramirez reviews.
Read More
Choreographer and educator Ilyse Robbins discusses her work in SpeakEasy stage’s “Once”
Read More
Spamilton takes aim at the late-2010s phenomenon and its singular creator, though its success as a barbed look at contemporary theater is muddled, to say the least.
Read More
I spoke to Jiehae Park about the play Endlings and the challenges of being an immigrant artist sharing a personal story.
Read More
With Lyric Stage Company getting ready to mount their production of the 1939 three-acter, DigBoston caught up with the women of The Little Foxes, as well as director Scott Edmiston, who believes Hellman is overdue for admission into the pantheon of Great American Playwrights.
Read More