Movie magic should not be as imperiled as it currently is, and with no excuse.
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“Moonlight,” with its sensuous humidity, chopped-and-screwed score and melancholy pace, has haunted and halted me from figuring out just what it is that makes it a movie for the ages. Perhaps that’s the point.
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It’s sink or swim time and people have already started to swim away. Grammys, try to stay afloat.
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A simple look at “Girls” proves it is as nimble and essential a work of art as we have ever needed, yet the series’ success is often undermined by a hyper-politicized world where you either stand with or against its creator.
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American films mine the wisdom and artistry found in film’s rich history for contemporary audiences, connecting us to past generations and reminding us that art’s ultimate purpose is to visually bridge the gap between reality and fantasy through expressive reflection.
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I yearn to see the Venezuela my parents saw at my age, full of culture and beauty on every corner. I yearn, against seemingly impossible odds, to someday see Venezuela for what it was meant to be.
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