And so, Williamstown Theatre Festival’s inaugural foray into the world of Audible theatre comes to a close. Row, a new musical based on Tori Murden McClure’s 1998 efforts to become the first woman to row solo across the Atlantic, is a fine ending to an excellent season.
Read MoreDown at the Daryl Roth Theatre, Blindness is a dark-room delight that, unlike other Downtown goings-on, remains socially distant.
Read MoreA fatal car crash in Tehran and its ensuing drama is taken up by Javaad Alipoor in Rich Kids: A History of Shopping Malls in Tehran, live-streamed by Woolly Mammoth Theatre Company.
Read MoreAnd...Scene! is Juan A. Ramirez's weekly column with his hot takes, musings, and all that jazz.
Femininity and the fallouts of war are given an appealingly informal treatment in Wish You Were Here, Sanaz Toossi’s play.
Read MoreAn interview with Bailee Madison and Kevin Quinn, the stars of Netflix’s movie musical, A Week Away.
Read MoreAnd...Scene! is Juan A. Ramirez's weekly column with his hot takes, musings, and all that jazz.
Read MoreWilliamstown Theatre Festival’s audio production of Paradise Blue makes a strong case for further evaluation.
Read Moren Romeo y Julieta, the Public Theater’s latest foray into audio plays, Lupita Nyong’o proves that a rose in any other medium (and language) smells and sounds as sweet.
Read MoreThe Wandering is a four-day immersive experience that features augmented reality, online interactions, outdoor missions, film, drag, and Schubert.
Read MoreMike Lew’s Tiger Style! acquits itself nicely in Huntington Theatre Company’s new audio production.
Read MoreScott Siegel’s latest venture, a paid subscription service called “Nightclub New York,” streams select archival performances by dozens of singers taken from his past nightclub productions.
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