DigBoston Staff Pick for iconic stoner movies. My go-to? Radley Metzger’s Score.
Read MoreBill & Ted Face the Music is a completely unnecessary but winsome enough entry in the Southern California dude saga that’s as comforting as our bad teenage habits.
Read MoreAn opinion piece about the beauty of 2020’s virtual Wicked Queer festival, followed by reviews of Ask Any Buddy and Dry Wind.
Read MoreThe Lonely Island’s giddy, inspired sense for pushing a particular theme to its most illogical conclusion while still keeping ample room for #random punchlines carries through Palm Springs, the breeziest 90 minutes I’ve spent all year.
Read MoreMichael Arden, the two-time Tony Award nominated director and actor, is using his COVID-19 self-isolation as an opportunity to devise a “socially distant” piece of immersive theatre in Philmont, New York.
Read MoreDue to the social distancing practices precipitated by the COVID-19 pandemic, the 38th annual Elliot Norton Awards will be presented virtually this year. The ceremony, hosted by the Boston Theater Critics Association, will take place on May 11.
Read MoreJuan Ramirez finds no joy in this “lifeless production” of Richard Greenberg’s new play, with a “dire lack of dramatic tension.”
Read MoreA young queer person immerses herself in fantasies with the film actress Natalie Portman in a new play by C.A. Johnson. Juan A. Ramirez reviews.
Read MoreWill Power was only somewhat aware of Boston’s recent progressive reawakening when he began developing his latest piece, Detroit Red. The playwright, an early pioneer of the hip-hop theatre genre, was interested in exploring a lesser-known period of Malcolm X’s life when he realized how perfectly suited the play and the city were to each other.
Read MoreJuan Ramirez finds more repetitions of an idea than productive variations on a theme in Eboni Booth’s new play for the Atlantic.
Read MoreCharles Busch is a legend, but Juan Ramirez finds his newest play a little too retro for its own good.
Read MoreWe are coming to the close of a decade of theater. It’s also Exeunt’s 10th birthday too. We thought back on the shows, trends, and performances that we still carry with us from the past ten years.
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