An interview with Bailee Madison and Kevin Quinn, the stars of Netflix’s movie musical, A Week Away.
Read More
Despite lacking a certain oomph in the portrayal of its iconic titular character, Wolfe’s adaptation is a lowkey, low-stakes affair with excellent performances and captivating tension.
Read More
My picks for best moving image works of 2020: I May Destroy You and Circle Jerk
Read More
Brief review of Smooth Talk, from the 2020 New York Film Festival’s Revivals section.
Read More
DigBoston Staff Pick for iconic stoner movies. My go-to? Radley Metzger’s Score.
Read More
Bill & Ted Face the Music is a completely unnecessary but winsome enough entry in the Southern California dude saga that’s as comforting as our bad teenage habits.
Read More
An opinion piece about the beauty of 2020’s virtual Wicked Queer festival, followed by reviews of Ask Any Buddy and Dry Wind.
Read More
The Lonely Island’s giddy, inspired sense for pushing a particular theme to its most illogical conclusion while still keeping ample room for #random punchlines carries through Palm Springs, the breeziest 90 minutes I’ve spent all year.
Read More
An interview with “Booksmart” director Olivia Wilde, writer Katie Silberman and stars Beanie Feldstein and Kaitlyn Dever .
Read More
Alonso Ruizpalacios’ Museo, aside from being a virtuoso piece of filmmaking, is unique in that it considers the precarious morality of history museums.
Read More
A few film descriptions for Harvard Film Archive’s Weekend Matinee series.
Read More
With Eighth Grade, Bo Burnham has taken a sledgehammer to the outdated myth that high school is the worst part of growing up.
Read More